A fateful nursery rhyme: The protagonists in “The Ugly Human-ling” are eternal outsiders in society and their own homes.
Pfui! Ugly! Elif Ürse, Yelda Baskın and Gülce Uğurlu. Photo: Martin Kaufhold.
The outlines of bodies are painted on the back wall, as if marked off with chalk by the police after an accident. In the collective production by the Turkish off-theatre group oyun deposu, the outlines symbolize the profiles that three rather lively Turkish women – who are not the way other people think they should be – yearn to fit into. They are all young and beautiful girls who wish that these were the only reasons people notice them. In the beginning, they attempt to cram themselves into the outlines of their desired formats, gasping as they bend and stretch to fit. They are ultimately forced to give up trying.
Each of them has her own, fragmented story to tell. Though their narrative lines never cross, they do hold parallels. A few situations arise on stage that each of the women has to deal with. They have one thing in common: Each of them is an irritation, a nuisance to Turkish society caught between tradition and modern life. And they are all victims of discrimination. Woman A (Elif Ürse) conceals her hair with a headscarf as a way of carrying on her mother’s tradition. Memorizing prayers, that was child’s play for her. Then, all at once, wearing a headscarf at school was forbidden: Muslima or atheist, she doesn’t know what to believe anymore.
Woman B (Yelda Baskın) is equally divided. “Who am I, what am I?” she asks. Her father is Turkish, her mother has a Kurdish background. No one can tell this when they look at her siblings, but she stands out like a dirty stain on her family’s clean record. Her skin is too dark, her eyes pitch black. (more…)
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