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	<title>newplays-Blog &#187; English</title>
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	<link>http://newplays-blog.de</link>
	<description>Blog des Festivals NEUE STÜCKE AUS EUROPA 2010</description>
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		<title>I don’t understand</title>
		<link>http://newplays-blog.de/2012/05/21/i-dont-understand/</link>
		<comments>http://newplays-blog.de/2012/05/21/i-dont-understand/#comments</comments>
		<pubDate>Mon, 21 May 2012 19:23:15 +0000</pubDate>
		<dc:creator>Lukas Bärfuss</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[crisis]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[Oedipus]]></category>
		<category><![CDATA[press]]></category>
		<category><![CDATA[topicality]]></category>
		<category><![CDATA[Zürich]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3704</guid>
		<description><![CDATA[The winter of 2012. Once again, I’m working at the theatre. My latest play, “Twenty thousand pages” is in rehearsal at the Schauspielhaus Zürich. Lars-Ole Walburg is directing. We talk about scenes, cuts, transpositions, about too much and too little [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A short report from the Swedish stages</title>
		<link>http://newplays-blog.de/2012/05/16/a-short-report-from-the-swedish-stages/</link>
		<comments>http://newplays-blog.de/2012/05/16/a-short-report-from-the-swedish-stages/#comments</comments>
		<pubDate>Wed, 16 May 2012 06:55:47 +0000</pubDate>
		<dc:creator>Sofia Fredén</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Original]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[apllied theatre]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[post-postmodern]]></category>
		<category><![CDATA[representation]]></category>
		<category><![CDATA[research]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3590</guid>
		<description><![CDATA[There is a strong wave of feminism on the stages , represented by both male and female feminists.
Staging gender has for several years been the most discussed topic in the theatre in Sweden and the most popular theme, I [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Identification in the Balkans</title>
		<link>http://newplays-blog.de/2012/05/14/identification-in-the-balkans/</link>
		<comments>http://newplays-blog.de/2012/05/14/identification-in-the-balkans/#comments</comments>
		<pubDate>Mon, 14 May 2012 15:40:24 +0000</pubDate>
		<dc:creator>Hristo Boytchev</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[Balkans]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[Kusturica]]></category>
		<category><![CDATA[Turkish]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3567</guid>
		<description><![CDATA[Even today, Europe doesn’t know the Balkans, but neither do the Balkans know Europe. Because we write and think in different alphabets.
And it is significant that the toponym Balkans is of Turkish origin. While Western Europe is unifying, we [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Seize the word</title>
		<link>http://newplays-blog.de/2012/03/31/seize-the-word/</link>
		<comments>http://newplays-blog.de/2012/03/31/seize-the-word/#comments</comments>
		<pubDate>Sat, 31 Mar 2012 20:00:15 +0000</pubDate>
		<dc:creator>Noëlle Renaude</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[Babel]]></category>
		<category><![CDATA[character]]></category>
		<category><![CDATA[Foucault]]></category>
		<category><![CDATA[oneself]]></category>
		<category><![CDATA[stage]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3503</guid>
		<description><![CDATA[Before a character enters the stage with its luggage of words, the author has to seize these words. The author takes hold of words whenever he wants and gives them to whom he likes. But are we really sure of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Islands</title>
		<link>http://newplays-blog.de/2012/03/07/islands/</link>
		<comments>http://newplays-blog.de/2012/03/07/islands/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 17:49:31 +0000</pubDate>
		<dc:creator>Vera San Payo</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[continent]]></category>
		<category><![CDATA[destination]]></category>
		<category><![CDATA[Island]]></category>
		<category><![CDATA[markets]]></category>
		<category><![CDATA[patronized]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3048</guid>
		<description><![CDATA[„No man is an island, entire of itself, every man is a piece of the continent“ – this quote, noted on the flyleaf of my school notebook, served as a dam against floods of loneliness for a long time. Now [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“The theatre is dead, long live the theatre”</title>
		<link>http://newplays-blog.de/2012/02/23/%e2%80%9cthe-theatre-is-dead-long-live-the-theatre%e2%80%9d/</link>
		<comments>http://newplays-blog.de/2012/02/23/%e2%80%9cthe-theatre-is-dead-long-live-the-theatre%e2%80%9d/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 08:16:18 +0000</pubDate>
		<dc:creator>Simona Semenic</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Original]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[aliveness]]></category>
		<category><![CDATA[dead theatre]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[postproduction]]></category>
		<category><![CDATA[process]]></category>
		<category><![CDATA[production]]></category>
		<category><![CDATA[rehearsals]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3033</guid>
		<description><![CDATA[Mostly, I wasted time on things that have little to do with art. But if theatre is a living thing, it should be equally alive every single  time: the aliveness of the theatre performance cannot be measured by one  actor [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Someone Who Lost His Way on the Road to Becoming an Author</title>
		<link>http://newplays-blog.de/2012/02/15/someone-who-lost-his-way-on-the-road-to-becoming-an-author/</link>
		<comments>http://newplays-blog.de/2012/02/15/someone-who-lost-his-way-on-the-road-to-becoming-an-author/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 07:26:08 +0000</pubDate>
		<dc:creator>Constantin Cheianu</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[exhibitionism]]></category>
		<category><![CDATA[illsuion]]></category>
		<category><![CDATA[Perestroika]]></category>
		<category><![CDATA[placebo]]></category>
		<category><![CDATA[political satire]]></category>
		<category><![CDATA[role]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=3006</guid>
		<description><![CDATA[When I started the political satire programme “An hour of laughter” two years ago, I thought nothing of playing the buffoon.
It has been noted that I have an inclination towards exhibitionism &#8211; yes, that is one dimension of my [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A few words.</title>
		<link>http://newplays-blog.de/2012/02/12/a-few-words/</link>
		<comments>http://newplays-blog.de/2012/02/12/a-few-words/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 09:13:04 +0000</pubDate>
		<dc:creator>Malgorzata Sikorska-Miszczuk</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Original]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[80s]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[Catholic Church]]></category>
		<category><![CDATA[enthusiasm]]></category>
		<category><![CDATA[expressing]]></category>
		<category><![CDATA[future]]></category>
		<category><![CDATA[Poland]]></category>
		<category><![CDATA[Unknown]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=2986</guid>
		<description><![CDATA[What is most important for me as a playwright is that I am going through a writer’s crisis. I know that something has ended. Certain ways of writing &#8211; of expressing myself through writing &#8211; have been over-explored.
I keep [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kosovar theatre as a servile jester</title>
		<link>http://newplays-blog.de/2012/02/11/kosovar-theatre-as-a-servile-jester/</link>
		<comments>http://newplays-blog.de/2012/02/11/kosovar-theatre-as-a-servile-jester/#comments</comments>
		<pubDate>Sat, 11 Feb 2012 14:27:22 +0000</pubDate>
		<dc:creator>Jeton Neziraj</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[credibility]]></category>
		<category><![CDATA[declaration of independence]]></category>
		<category><![CDATA[Isolation]]></category>
		<category><![CDATA[jester]]></category>
		<category><![CDATA[neglect]]></category>
		<category><![CDATA[outtakes]]></category>
		<category><![CDATA[writer's residency]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=2973</guid>
		<description><![CDATA[Not a jester, however, who insolently confronts the king with his bad deeds and weaknesses, but a servile jester.
At a writers’ residency of the “Maison d’Europe et d’Orient” in Paris (November – December 2011), I worked on a comedy [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dramaturgic situation in Ukraine</title>
		<link>http://newplays-blog.de/2012/02/06/dramaturgic-situation-in-ukraine/</link>
		<comments>http://newplays-blog.de/2012/02/06/dramaturgic-situation-in-ukraine/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 07:31:58 +0000</pubDate>
		<dc:creator>Neda Neschdana</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Original]]></category>
		<category><![CDATA[Patron]]></category>
		<category><![CDATA[biographical drama]]></category>
		<category><![CDATA[Chimerical drama]]></category>
		<category><![CDATA[dramaturgy]]></category>
		<category><![CDATA[independent theatres]]></category>
		<category><![CDATA[mysticism]]></category>
		<category><![CDATA[neo-naturalism]]></category>
		<category><![CDATA[parable]]></category>
		<category><![CDATA[playwright association]]></category>
		<category><![CDATA[theatre reform]]></category>
		<category><![CDATA[Transition]]></category>

		<guid isPermaLink="false">http://newplays-blog.de/?p=2950</guid>
		<description><![CDATA[Especially since the beginning of the 21st century, Ukrainian drama has seen a strong surge of activity.
When I began writing plays in the mid 1990s, Ukraine was going through a difficult period of economic and social transition. Only very [...]]]></description>
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		<slash:comments>0</slash:comments>
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